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#KANDI PATTERNS MOD#
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The Northern soul movement is cited by many as being a significant step towards the creation of contemporary club culture and of the superstar DJ culture of the 2000s.

#KANDI PATTERNS MOD#

With the rapid change of British pop culture from the mod era of 1963–1966 to the hippie era of 1967 and beyond, the term fell out of popular usage. The event featured the only known public airing of an experimental sound collage created for the occasion by Paul McCartney of The Beatles – the legendary " Carnival of Light" recording. It was later part of the title of an electronic music performance event held on 28 January 1967 at London's Roundhouse titled the "Million Volt Light and Sound Rave". Along with being an alternative term for partying at such garage events in general, the "rave-up" referred to a specific crescendo moment near the end of a song where the music was played faster, more heavily and with intense soloing or elements of controlled feedback. Presaging the word's subsequent 1980s association with electronic music, the word "rave" was a common term used regarding the music of mid-1960s garage rock and psychedelia bands (most notably The Yardbirds, who released an album in the United States called Having a Rave Up). Ī huge bank of speakers and subwoofers from a rave sound reinforcement system Pop musicians such as Steve Marriott of Small Faces and Keith Moon of The Who were self-described "ravers". People who were gregarious party animals were described as "ravers". The word "rave" was later used in the burgeoning mod youth culture of the early 1960s as the way to describe any wild party in general. In 1958, Buddy Holly recorded the hit "Rave On", citing the madness and frenzy of a feeling and the desire for it never to end. Jazz musician Mick Mulligan, known for indulging in such excesses, had the nickname "king of the ravers". In the late 1950s in London, England, the term "rave" was used to describe the "wild bohemian parties" of the Soho beatnik set.

3.6.1 1980s and 1990s: outdoor raves and the Sydney scene.3.5.4 Southern California and Latin America (1990s).3.5.3 New York Raves and Party Promoters (1980s).3.5.1 Origins in disco and psychedelia (1970s).

3.4.3 Legal and underground raves (1994–present).

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3.4.2 Free parties and outlawing of raves (1992–1994).

These concerns are often attributed to a type of moral panic surrounding rave culture. In addition to drugs, raves often make use of non-authorized, secret venues, such as squat parties at unoccupied homes, unused warehouses, or aircraft hangars. This is due to the association of rave culture with illegal drugs such as MDMA (often referred to as a " club drug" or "party drug" along with MDA ), amphetamine, LSD, GHB, ketamine, methamphetamine, cocaine, and cannabis. Law enforcement raids and anti-rave laws have presented a challenge to the rave scene in many countries. Raves may last for a long time, with some events continuing for twenty-four hours, and lasting all through the night. Some electronic dance music festivals have features of raves, but on a larger, often commercial scale. While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events featuring multiple DJs and dance areas (e.g., the Castlemorton Common Festival in 1992).

The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including techno, hardcore, house, and alternative dance. A rave (from the verb: to rave) is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music.